Of Note




The pho­tographs in Fragments were taken during three trips to Havana over a 12-month period. I edited approx­i­mate­ly 6,000 images again and again and this show is a further dis­til­la­tion. Havana has captured my heart and with these pho­tographs I hope to share this deep connection.



The pho­tographs in this Grasses Series were taken in Uplands Park and Cattle Point this past year. The late autumn pho­tographs show the fragile beauty of the grasses as well as their changing colour and form. 

They are but a few of the hundreds I took over this period, sometimes returning with my camera two or three times in a singe day. 

This became my meditation.

The soft and shadowy images in the series called Silence were taken in my studio.



Jackie Saunders-Ritchie






Memory Shrine


Memory Shrines, Solo Exhibition
September & October, 2012
Con­gre­ga­tion Emanu-El Synagogue, Victoria BC

Consider the words of Doreen Carvagal: “There are sci­en­tif­ic studies exploring whether the history of our ancestors is somehow a part of us, inherited in unex­pect­ed ways through a vast chemical network in our cells that controls genes…”

These Memory Shrines, assembled with great caring and deep intuition, are an expres­sion of the stories my cells have stored, over time and despite layers of new data and recent memories. They embrace my distant past, the stories and images of my ancestors, inherited memories of the Holocaust.

T.S. Eliot writes: “And the end of all our exploring/ will be to arrive where we started/ and know the place for the first time.”

My explo­ration continues, and, as in most deep quests, it is often a spiral, touching a painful subject with barbed wire and a soft whisper. Horrible things happened to innocent people.   These small boxes take notice and remember. They are a manner of honouring.